Where geometry becomes material.

The Studio

Two worlds. One precision.

Growing up in Damascus, geometry was never abstract. The city's mosaic traditions — Arabesque patterns in hand-cut stone, tilework repeating mathematical forms across mosque floors — taught precision where ornamental and structural are the same gesture.

A decade at Sint-Lucas in Ghent added the Belgian vocabulary: honest material, negative space as a decision, every millimetre earned. The synthesis: two traditions operating by the same rules. Both demand precision. Both reject arbitrariness.